Emblazoned with ‘the Spirit’ is the sixth in our Cross-pollination series which invites writers to respond to performances during PAWA. Zoe Crook is an artist and writer based between NZ and Berlin. She responds here to Please Explain Sacred, a performance invitation by Jess Holly Bates and Jazmine Rose Phillips.


Is not an invitation for explanation. Silence is sacred when chosen. Women’s voices are sacred. Women are a nebulous gang of self identifiers. This performance will cultivate a deep sacred feminine energy…bring others into sacred connection with their bodies.

Everyone invited to take shoes off, two naked bodies, with pieces of gauzy fabric over their faces. Washing feet. Sitting on the ground. Audience invited to sit in two opposite facing seats. Dried with tea towels. Sitting on a fitted sheet. A plastic bucket.

Once washed allowed into the space. The space itself presented as a string cave, pixelated into facets. Limiting the audiences height. The object within appears to be littered with various objects, a shrine, candles, salt, chalk, herbal essences. As time goes on the audience gets braver. Thought the level of noise once inside the space remains limited. One figure departs the duo of washing, takes off her veil and begins to do something involving a syringe like object in the back space.

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it’s not uncivilised” is the fourth in our CrossPollination series where writers respond creatively to the performances during PAWA. Claire O’Loughlin is a theatre-maker and producer based in Wellington, who co-founded contemporary performance collective “Binge Culture.” She is an artistic octopus, with an infectious drive to increase compassion and awareness both through, for and from the arts. Her most recent creative work is a memoir of her childhood growing up on a boat, written for her MA at Victoria University’s IIML. She responds here to Louis Bretana’s performance dinner “Eat My Rice.”

 

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Eat my rice it’s nice
With chicken and aubergine
But wash your hands first.

I never knew how
To eat cleanly with my hands
It’s all in the thumb.

The Spanish were wrong
But shame is an easy way
To kill a culture.

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PLEASE! EXPLAIN! is the first in our CrossPollination series of creative response writings from the performances during PAWA. Mia Gaudin a writer/lawyer living in Wellington, recently having completed her first novel as part of her Masters in Creative Writing at the International Institute of Modern Letters.  As well as reading, writing and appearing in the Waitangi Tribunal, Mia spends her time eating vietnamese sandwiches and pretending to bike up hills. Here she responds to Please Explain Sacred, a durational performance by Jazmine Rose Phillips and Jess Holly Bates. 

Photo Credit: Essi Airisneimi

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Please, explain. You smelt like a spa and the music was lovely, calming. Sacred. There was citronella or something more complex in the air. The light was coming from low on the ground and I waited my turn. Please. It was cold, the water, and I didn’t expect that.

Explain.

I wanted to be wrapped up warm because the north wind was coming in a tunnel down the street and everything was concrete around us. I am curious about other women’s bodies. Sacred. When the veil fell from your face eyesnoselips cut into the space and you became real. Explain, please.

Not just a body there. Explain.

My friend washed my feet and I didn’t think too hard about how wrong that really was because I knew my friend had chosen it and I couldn’t stand back and see my friend as subservient even though that’s what my friend was playing at. Explain.

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